"Woman Reading" oil painting.

Catching up, this is the first of a series of paintings I have recently completed, but failed to post to my blog.

"Woman Reading" is another of my series of oil paintings capturing memories from our 2008 trip to France.

The 30 x 24 inches canvas depicts a sunny spring day. A young woman is sitting on the wall along the bank of the river Rhone. She is deep into reading a book, oblivious to us walking by. Her bicycle leans nearby against the wall.

She did not notice us as we strolled along the broad pathway, enjoying the view. I sneaked some photographs, from which this painting was developed.

At long last - another blog entry!

It is hard to believe, but it has been six months since I last wrote to my blog! As one getts older, time seems to go past so quickly.

But I have been busy: painting most mornings, preparing for exhibits, visiting grandchildren - all the important things of life. Plus a few medical problems - relating to my prostate cancer returning after many years of dormancy.

One major task that has occupied a lot of time, is the complete revamp of my website. A critique by Sylvia White of my work and direction, suggested that my website was to complex and technical. she recommended the style of several other artists, which I used as my guide.

In addition, Adobe has discontinued support of their GoLive web design software, encouraging my moving to their Dreamweaver application. So I took the plunge, purchased the new software, and have revamped the whole thing. The rework is largely completed, though I will make some more changes in the near future. Please take a look at my website and let me know your comments and suggestions.

Another big event is that for the month of May 2009, I had a major solo exhibit "Memories of France and Mexico: Recent Paintings by Peter Worsley." It took place in the western side gallery of the large Faulkner Gallery of the downtown Santa Barbara Main Library. It consisted of 18 paintings from my 2006 and 2008 trips to Mexico and France respectively.

Unfortunately, the opening coincided with the begining of a devastating brush fire on the northwestern edge of Santa Barbara. A large section of the community (including ourselves) were forced to evacuate. And the opening reception was canceled. These events, plus the depressed economy, have resulted in no new sales. But I had many exhibit visitors, gathered a few more people for my email mailing list, and obtained some very good publicity.

Coming up I have several more events: in July 2009, I am the "Artist Of The Month" at Gallery 113, in downtown Santa Barbara. And, at the end of August I am participating once again in the Santa Barbara Studio Tour event.

Painting of my Daughter's Montecito Home

Over the years I have painted each of the homes of my children. Even though my daughter has owned their Montecito home for several years. for various reasons I have not got around before to give them a painting of this house.

I have take several photographs over the years and this painting is an integration. Particularly it shows some of the spring and summer flowers that grow around the front path.

Formal Portrait of a Friend Completed

Last month I received back the digital image of my recently completed formal portrait if a friend. The portrait is too big to use my scanning/photomerge technique to make the image myself. The canvas was too large to balance on my scanner. I had to send it to my local photographer who has access to a 25 megapixel camera.

I wanted the high resolution to allow the possible full size print reproduction at ImageKind. I try to make all my paintings available this way.

This is my first attempt at a formal portrait. I started with a series of digital photographs taken at his home. There were groups of images in each of several poses, some seated, and some standing. I used daylight augmented by a floodlight.

From these images I chose a specific pose. Then painted the portrait looking at the various photographs of that pose. The facial expression varied with each image, allowing me to choose the best data from each. I chose to paint a near black background (actually a mixture of red and green complementary pigments) with a slight green rear highlight behind the left shoulder.

New Group Painting - Encounter/Yellow Umbrella

A couple meet on a cold rainy day to talk briefly under a yellow umbrella. From the bright colored bag dangling from her hand, it appears she has been shopping in a nearby store. He carries a portfolio and a small bag over his shoulder. Perhaps he is on his way to a business meeting.

This painting is loosely based upon various photographs I took in Paris, France, last Spring (2008). I wanted the image to induce the feeling of a connection between the two figures. Yet it is only a brief encounter, since each has their own agenda. The yellow umbrella links the two together for these few moments.

I am trying to play down the individuality of the figures. I want the viewer to identify the people from their own imagination. The male figure's face is hidden. The female's face is only sketchy - enough to see she is please with the chance encounter.

The composition has been chosen to use a wide range of values, from the dark coats of the figures to the white of the distant light on this rainy day.

30 x 24 inches. Oil on canvas. Unframed with painted edges.

Pretty Baby, Another Painting Completed.

"Pretty Baby" is latest of my new group portraits in the soft story telling style of my recent work.

A young mother, while out walking, is showing off her baby to her girlfriend. The friend looks at the hidden baby with an expression of awe and perhaps mixed with other feelings.

While traveling in France during early 2008, I saw these young women near an open air café. I took several photographs from which this painting was derived.

For a while I thought the woman in green was the mother and the woman in black was the friend - and then I saw the wedding ring on the hand of the figure in black.

The most difficult task was to handle the details of the under side of the baby carriage. There was a lot of detail in the original photographs. It was necessary to simplify yet maintain a structural integrity so that it felt sturdy.

In the end, I used the long supporting posts as visual lines to draw the viewer into picture.

The baby is very present in the thoughts of the viewer, but not seen. The mother's face is hidden, but also is present in the tensions of the picture. Only the girlfriend's face is seen in detail and provides the source of energy to the viewer.

Morning News - Another Painting Finished!

My latest painting "Morning News" (24 x 30 inches) has been finished and scanned. There seems to have been a host of events that have delayed its completion.

Among many things, we have had some work done in and around the house which has needed my attention away from painting. Also, I twice took the partially finished painting to my critique group who each time gave me good advice in steering the painting along more interesting lines of composition.

It is based upon some photographs I took along the streets of France, last spring. The three men are fairly close to the original situation, but the background, the wall and window signs, and the newspapers all came from imagination or other places.

I am happy with the outcome.