A young couple pause to have a leisurely cup of coffee, while their daughter drinks some milk. They lovingly look at their little girl, while enjoying each others company.
This 12 x 24 inch oil painting was derived from a series of photographs I took at an outdoor coffee shop in Palm Springs. The open simplicity and color depicted in the painting is in marked contrast to the chaos of the table clutter and backgrounds of the original photographs.
Monday, August 31, 2009
"Family Time," another new painting.
Posted by Peter Worsley at 9:00 PM 0 COMMENT ON THIS POST
Labels: coffee cup, drinking coffee, girl, Man, milk, restaurant, woman, young girl
Tuesday, August 04, 2009
New Portrait Successfuly Delivered.
Don in his mid eighties. He is a good friend and long ago my first supervisor when I was a fresh arrival in the USA from England. This was painted from my photographs taken when we met recently, and given as a present to Bette, Don's wife.
These little 10 x 8 inch oil on canvas portraits are a delight to paint and bring great joy to the recipient.
Consider commissioning a portrait.
Posted by Peter Worsley at 4:49 PM 0 COMMENT ON THIS POST
Sunday, January 04, 2009
Formal Portrait of a Friend Completed
Last month I received back the digital image of my recently completed formal portrait if a friend. The portrait is too big to use my scanning/photomerge technique to make the image myself. The canvas was too large to balance on my scanner. I had to send it to my local photographer who has access to a 25 megapixel camera.
I wanted the high resolution to allow the possible full size print reproduction at ImageKind. I try to make all my paintings available this way.
This is my first attempt at a formal portrait. I started with a series of digital photographs taken at his home. There were groups of images in each of several poses, some seated, and some standing. I used daylight augmented by a floodlight.
From these images I chose a specific pose. Then painted the portrait looking at the various photographs of that pose. The facial expression varied with each image, allowing me to choose the best data from each. I chose to paint a near black background (actually a mixture of red and green complementary pigments) with a slight green rear highlight behind the left shoulder.
Saturday, December 27, 2008
New Group Painting - Encounter/Yellow Umbrella
A couple meet on a cold rainy day to talk briefly under a yellow umbrella. From the bright colored bag dangling from her hand, it appears she has been shopping in a nearby store. He carries a portfolio and a small bag over his shoulder. Perhaps he is on his way to a business meeting.
This painting is loosely based upon various photographs I took in Paris, France, last Spring (2008). I wanted the image to induce the feeling of a connection between the two figures. Yet it is only a brief encounter, since each has their own agenda. The yellow umbrella links the two together for these few moments.
I am trying to play down the individuality of the figures. I want the viewer to identify the people from their own imagination. The male figure's face is hidden. The female's face is only sketchy - enough to see she is please with the chance encounter.
The composition has been chosen to use a wide range of values, from the dark coats of the figures to the white of the distant light on this rainy day.
30 x 24 inches. Oil on canvas. Unframed with painted edges.
Posted by Peter Worsley at 4:09 PM 0 COMMENT ON THIS POST
Labels: art, brief encounter, composition, encounter, France, girlfriend, Man, new paintings, oil, Oil painting, painting, Paris, rain, rainy, Recreation, Shopping, wet day, woman
Tuesday, October 14, 2008
Morning News - Another Painting Finished!
My latest painting "Morning News" (24 x 30 inches) has been finished and scanned. There seems to have been a host of events that have delayed its completion.
Among many things, we have had some work done in and around the house which has needed my attention away from painting. Also, I twice took the partially finished painting to my critique group who each time gave me good advice in steering the painting along more interesting lines of composition.
It is based upon some photographs I took along the streets of France, last spring. The three men are fairly close to the original situation, but the background, the wall and window signs, and the newspapers all came from imagination or other places.
I am happy with the outcome.