A couple meet on a cold rainy day to talk briefly under a yellow umbrella. From the bright colored bag dangling from her hand, it appears she has been shopping in a nearby store. He carries a portfolio and a small bag over his shoulder. Perhaps he is on his way to a business meeting.
This painting is loosely based upon various photographs I took in Paris, France, last Spring (2008). I wanted the image to induce the feeling of a connection between the two figures. Yet it is only a brief encounter, since each has their own agenda. The yellow umbrella links the two together for these few moments.
I am trying to play down the individuality of the figures. I want the viewer to identify the people from their own imagination. The male figure's face is hidden. The female's face is only sketchy - enough to see she is please with the chance encounter.
The composition has been chosen to use a wide range of values, from the dark coats of the figures to the white of the distant light on this rainy day.
30 x 24 inches. Oil on canvas. Unframed with painted edges.
Saturday, December 27, 2008
New Group Painting - Encounter/Yellow Umbrella
Posted by Peter Worsley at 4:09 PM 0 COMMENT ON THIS POST
Labels: art, brief encounter, composition, encounter, France, girlfriend, Man, new paintings, oil, Oil painting, painting, Paris, rain, rainy, Recreation, Shopping, wet day, woman
Monday, November 03, 2008
Pretty Baby, Another Painting Completed.
"Pretty Baby" is latest of my new group portraits in the soft story telling style of my recent work.
A young mother, while out walking, is showing off her baby to her girlfriend. The friend looks at the hidden baby with an expression of awe and perhaps mixed with other feelings.
While traveling in France during early 2008, I saw these young women near an open air café. I took several photographs from which this painting was derived.
For a while I thought the woman in green was the mother and the woman in black was the friend - and then I saw the wedding ring on the hand of the figure in black.
The most difficult task was to handle the details of the under side of the baby carriage. There was a lot of detail in the original photographs. It was necessary to simplify yet maintain a structural integrity so that it felt sturdy.
In the end, I used the long supporting posts as visual lines to draw the viewer into picture.
The baby is very present in the thoughts of the viewer, but not seen. The mother's face is hidden, but also is present in the tensions of the picture. Only the girlfriend's face is seen in detail and provides the source of energy to the viewer.