Well the Open Studios Tour is over. The summaries written and mailed in. And I am uncertain if it all was worth while.
Saturday we had only ten people come by. On Sunday twenty-nine. And that includes friends, family, and neighbors who saw my signs and dropped by. About of a third of the visitors were other artists who wanted to see how I do things.
There were no sales (I had some eighty paintings on show). There were three people who were serious enough to ask about prices. At least one of which seemed very interested in a specific painting.
Several of my visitors told me other artists they had visited had complained about the few visitors. Since the tour I have talked to several other artists who say they found the attendance thin. Maybe it is a sign of the times. There has been a lot written recently about the slowness of the art market.
The general tour promotion seemed very good. I cannot suggest where improvements might be made. Even the reception was well attended, though I am not sure that I saw any serious buyers or collectors.
It takes a lot of work to put on such an event. At the moment I am discouraged about doing it again. But who knows how I will feel in six to nine months time.
Saturday, September 06, 2008
After the Tour.
Posted by Peter Worsley at 9:01 AM 0 COMMENT ON THIS POST
Labels: Open studio tour, promotion
Saturday, September 22, 2007
Making Progress
Yesterday afternoon I searched the internet for ideas on Blog Promotion. One lead took me to Feedburner. This useful site was full of ideas and I spent my usual blogging time adding their suggestions to this blogging site.
You will note that you may now more easily subscribe to this blog. When subscribed you maybe automatically notified of new additions and updates.
This morning I finished up "The Story Teller" painting. I decided it did not need another coat of medium. I stapeled my printed card (a business card sized label with basic personal contact data) on the bottom stretcher, and added my painting serial number.
A long time ago ( at least several years) when I was planning an open studio, I decided that I needed to number my paintings to set up some sort of records control. That day I just went around all the paintings in my storage area and hanging on my walls, and wrote a consecutive number on each. The numbers were just as they came starting from one.
Consequently all my early paintings bear numbers that are somewhat random and have no bearing to when they were painted. Any painting sold or given away earlier than that day was not numbered. Also, I missed all my shrink wrapped watercolors in various bins, plus a few other framed paintings.
Many of these paintings were added later and now appear on the list totally out of order. This not how I would do it again or recommend to others, but that is the way it is.
Most of my more recent paintings are in sequence of their creation. Though I still have several boxes in storage of sketches and charcoal renderings that are many years old and unnumbered.
Getting back to this morning's work, I signed and coated with medium the little 10 x 8 inch painting that I am planning to donate to the Art Fund next Monday. I will scan it before I take it in, so that I have a record image.
I decided to call the painting "Sophie." In searching for a name (for usually I do not know the person's name) I came across a useful website with Spanish girls and boys names. I wanted a "soft" feeling name to go with the wistful look of the girl in the painting.
Also, I began the wedding picture of "Marty and Diane." As I mentioned in Thursday's blog, I have selected the primary image, prepared the usual B&W high contrast image, and projected it onto a 16 x 20 inch canvas Thursday evening.
This morning I enhanced the graphite sketched image with dilute paint (a mix of burnt sienna, ultramarine, medium, and turps). Added a little tone to show the lighting on the faces. and roughed in an abstract background (pale blue and a more muddy color for the sky and distant ground level). I used medium in the mix so hopfully it will be dry enough by tomorrow to allow work into the faces.
